LA VOIX HUMAINE
Film commission for Boston Ballet
Written by Jean Cocteau in 1928 and set to music by French composer Francis Poulenc in 1958, La Voix Humaine gives an insight into the heart and mind of a woman having a final phone conversation with her lover who is leaving her for someone else. In her isolation, solitude, desperation, and despair, she must deal with letting her beloved go and find a way to surrender into the big void.
„As a multidisciplinary artist, working as choreographer and opera director, I am deeply interested in bringing my passion for dance and opera together; working with the body and the voice originates in the fundamentals of human existence—the breath. In this short film I wanted to meld my passion for dance and opera together. I was drawn to La Voix Humaine for its relevance today. Themes of isolation, letting go of a loved one, and farewell resonate with me and many of us in the times we live in” - Nanine Linning
Credits
CONCEPT, CHOREOGRAPHY & FILM DIRECTION - Nanine Linning
La Voix Humaine was commissioned by Boston Ballet and filmed April 2021 at the Citizens Bank Opera House, Boston
Produced by Scalped Productions
DIRECTOR OF PHOTOGRAPHY & EDITOR - Ernesto Galan
Boston Ballet Creative Team
COSTUME DESIGN - Shane Maxwell & Erica Desautels
HAIR DESIGN - Rachel Padula-Shufelt
SET DESIGN - Benjamin J. Phillips
LIGHTING DESIGN - Brandon Stirling Baker
SOUNDSCAPES - Mischa Santora & Rick Brenner
REHEARSAL DIRECTOR - Russell Kaiser
PRODUCTION STAGE MANAGER - Craig Margolis
CREATIVE PRODUCTION - Kristin Carr
Music
Francis Poulenc, La Voix Humaine, text by Jean Cocteau
Original 1959 recording of La Voix Humaine with soprano Denise Duval and Orchestre National de
l'Opéra-Comique, conducted by Georges Prêtre.*
*By arrangement with Boosey & Hawkes and Warner Music Group
Dancers
JI YOUNG CHAE
DEREK DUNN, LASHA KHOZASHVILI, RYAN KWASNIEWSKI, SOO-BIN LEE,
MOLLY NOVAK, BENJI PEARSON, LAWRENCE RINES, MY’KAL STROMILE,
PAULINA WASKI, NATIONS WILKES-DAVIS
The premiere of La Voix Humaine, choreographed and directed by Nanine Linning, is generously supported by the Krupp Endowment for Contemporary Dance.
Special thanks to Peggy Olislaegers, Kyle Patrick, the Poulenc Estate, Thomas Guggi and Patrick Marin.
PHOTOGRAPHY - Ernesto Galan (1) Brooke Trisolini